
Kay Redfield Jamison, An Unquiet Mind, Alfred A. Knopf, INC. 1995, page 95
http://www.corbisimages.com/Enlargement/42-15538272.html

Kay Redfield Jamison, An Unquiet Mind, Alfred A. Knopf, INC. 1995, page 95
http://www.corbisimages.com/Enlargement/42-15538272.html


Initially reading this passage, my mind immediately strayed to Stone Henge. The mystery that surrounds the strange stones seems to create a mystical glow that draws thousands of people from around the world. The moon illuminates the night sky in an almost eerie way, and the way it is described in this passage adds an element of eeriness to the story. The way the author words the sentence creates a tone of anticipation and the detail of the “frost-silvered stones” is a nice sensory detail that allows readers to relate to something. The below picture is also somewhat eerie because of the perfect circle of rocks in the field and the unknown of the picture.Also, the perspective of the picture taken makes it look as if someone is peering down at the field just as the character in the book is looking out of the inn. There is also further relation because of the silver on the rock as well as the silver reflection on the rock in the passage.
David Eddings, Pawn of Prophecy (New York: Ballantine Books, 1982), page 101
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“It seemed like some endless nightmare of blind flight.”
There is a sense of security that vision gives us. When we can see who and what is around us, a person can feel comfortable and at peace. Yet, when you turn off the lights or shield your eyes, people immediately feel like someone is going to attack them. The above quote has very frantic connotations. You can sense the urge to escape and the franticness through the author’s use of “blind flight.” When reading the sentence, I put myself in the characters position and felt the fear and vulnerability that the author was trying to describe. The painting I chose demonstrates the same quality that the author was trying to describe in the sentence. The lines seem almost uncomfortable in their randomness and the way they are positioned, it seems as if they go on for infinity. The black background provides for the lack of vision and the random assortment of colors seem unorganized and frantically put together. Although I do not particularly like the painting, I believe the colors and arrangements replicate the franticness and negativity perfectly.
David Eddings, Pawn of Prophecy (New York: Ballantine Books, 1982), page 72
http://library.artstor.org/library/iv2.html?parent=true
